And the worst movie of 2010 is...
The Human Centipede: First Sequence (2009)
It's grotesque, disgusting and pointless. Actually, I would half admire it if it lived up to its claim of depravity, but once you get past the idea of the premise, it is not a hard movie to swallow and becomes more frustrating with every dimwitted decision made by the principal females. The doctor (played by Dieter Laser) is very creepy, but the rest of the movie is unmemorable and doesn't even make the impact on you it wants too.
Sorry, I just figured it would be better to get the filth out of the way. Now, on to the top 10 of the year 2010!
10. The American
This is oddly one of the most underrated films of the year, as critics and the general public alike seemed to be taken aback by this movie. What most people were expecting, I suspect, is an exciting actioneer starring George Clooney. What we get instead is a mostly quiet film about a hitman who must live his life in solitude (the opening scene alone defies hitmen convention). Clooney acts like a samurai for most of the film, as he hides in a remote Italian village building a gun for a final job. The ensemble is quite strong, and while the movies last moments are a bit telegraphed, the preceding build-up makes the whole film worth it.
9. The King's Speech
It seems like this will surely win the Oscar for everything now, and I'm not unhappy about this prospect. The King's Speech is a terrific film with a great ensemble (Colin Firth, Geoffrey Rush and Helena Bonham Carter, along with the likes of Michael Gambon, Guy Pearce and Timothy Spall), telling the story of King George VI's rise to power and how he had to overcome his stammer to inspire his people to be strong during war. The film works because of the actors, especially Geoffrey Rush who breathes so much life into dialectical coach Lionel Logue. Its a film that inspires you and makes you happy, and we need that every now and then.
8. Animal Kingdom
I had the pleasure of viewing this film with a fiery latin beat thumping through the floors from our neighbors. But that did not alter this film's quality in the slightest (though I have never heard Surfin' U.S.A. played at a more inappropriate time). An Australian film about a teen whose mother dies and is forced to live with his uncles and grandmother, who also just happen to be a mafia-type family. Its a taut film that spends a fair amount of time establishing itself before it really takes off. Guy Pearce shows up here as a detective, and there is one terrific scene after another, building up to a Godfather-esque ending (no, not the executing the five families scene. The other one).
7. Toy Story 3
The long-awaited sequel to the most beloved animated franchise finally arrived and didn't disappoint. While it is a bit of a step-backward from the previous entries, Toy Story 3 still delivers on all fronts, equal parts hilarious, thrilling, and heartfelt. The film deals with that inevitable point in a toy's life when their owner grows up and gets more interested in...well, the internet these days. The toy's donate themselves to a daycare center where they feel all will be better, if not for the oppressive cuddly bear that rules over the place. If anything, the film is incredibly nostalgic for me because it brought me back to being a kid again, and remembering playing with my toys and watching these movies. I do not currently know where all my old toys and dolls reside, but the film's ending is an oddly touching scene (an almost-man bids adieu to his playthings) that leaves one with a sense of fulfillment about the Toy Story universe.
6. Another Year
Mike Leigh may be one of the best directors out there no one knows about. I mean, his films are distributed, but most of the people I know have never heard of Leigh. Its a shame because he turns out such terrific films, and writes them in such a wholly unique fashion (lets just say actors work extra hard on his sets) that I'm surprised hes not more widely known. Another Year concerns a happily married couple, Gerri (Ruth Sheen) and Tom (Jim Broadbent), and, well, a year in their life that takes through select days of the four seasons. Its a fantastic study of loneliness and relationships and connections. Really, I don't want to say too much about this film because I went into knowing the bare minimum (the trailer gives nothing away) and came out confident that there are still terrific filmmakers out there.
5. True Grit
Probably the Coens most straight-forward film...ever, this is a fantastic Western, set in the dying days of the West as technology and progress move in and take over. Jeff Bridges is expectedly great as 'Rooster' Cogburn, a role that one John Wayne his Oscar, and Matt Damon as the Texas Ranger is equally impressive. But the real star of the film is newcomer Hailee Steinfeld, who plays the fearless and gregarious Mattie Ross with such verve that she lights up every scene. The simple story of a girl seeking revenge for her father's death is played out through many quiet scenes, punctuated by brief spurts of violence. It's a deeply touching movie, and is bolstered by Roger Deakins stunning cinematography.
4. Scott Pilgrim vs. the World
I only liked this movie initially, but like Edgar Wright's other films (Hot Fuzz and Shaun of the Dead) repeat viewings brought this movie to the front of my attention. Its a simple boy-meets-girl story, and plays out much like a musical. Except, instead of musical numbers, fight scenes where our protagonist (Michael Cera) must defeat his sweetheart's seven previous lovers ensue. The film is a hybrid of video games and graphic novels (it is based of such a graphic novel from a lover of video games). The movie is a kaleidoscope of effects that take some time processing, as various texts fly through the scene to accentuate actions. It's absurd and a lot of fun, and though its characterizations are slight (his girlfriend is quite literally the girl of his dreams), its something I never tire of. And those films are just as important as the prestigious ones, right?
3. A Prophet
This foreign film was up for the best Foreign Language Oscar last year, but was not give a real release until February so it counts. A stark, harrowing look at life in prison, as a young Arab is sent there and soon ends up working closely with mafia kingpin stuck inside. The movie kicks off with a fantastic first thirty minutes, in which Malik (Tahar Rahim) must sneak a razor in his mouth to a meeting with a victim and then kill him. Everyone remembers the shot of him, as his mouth bleeds, pulling the razor out. The movie flows seamlessly and is one of the standout films of the year.
2. Exit Through the Gift Shop
I don't think I've every ranked a documentary this high before, but this is that good. It may be in part because the film could be fake (I don't believe Thierry, the frenchmen who is the film's subject, is made up). But one thing is for sure: it gets us close to Banksy, the director of the film, a famously elusive and anonymous street artist whose work includes the guantanamo prisoner at Disney Land and stencils on the West Bank wall. It's about street art, it's about a mad frenchmen who films everything about the movement, and its about how art can be exploited and people are so hungry to grab the hottest item that they'll pay outrageous money for something that isn't necessarily art at all, but imitation. Its definitely one of the finest documentaries, and finest films, I have ever seen.
1. The Social Network
Yes, I know, I know. I have now associated myself with the hive mind of critics out there that declared this the best film. But I have seen it four times and know that there is nothing better this year. The film is about Facebook, and part of what makes it so damn brilliant is how it takes what sounds like the most boring film of the year and makes it the most fascinating. Aaron Sorkin's brilliant dialogue is supported by an exception cast that includes Jesse Eisenberg, Andrew Garfield (our new Spider-Man), Justin Timberlake (ironically playing the man that brought down record companies), Rooney Mara (the new Girl with the Dragon Tattoo), and Armie Hammer (playing both Winklevoss twins). From the sumptuous cinematography (shot on the R3D no less), to the perfect editing, to the fantastic and utterly unique score by Trent Reznor and Atticus Ross, there is no other film like this one. It is a film for out time, for our generation, our opportunity to turn to the world and say "Fuck you, I'm CEO, bitch!"
