Monday, January 18, 2010

Golden Globes: What Won vs. What I Picked

Last night saw the 67th Annual Golden Globes, which in many ways is the most fun awards show out there because the celebrities sit around, eat dinner, and get drunk at the Beverly Hilton. At the same time, it can be a show that awards for popularity rather then quality, as evidenced by Avatar and The Hangover taking the big awards. Now, don't get me wrong, I think Avatar is a really good film, I just don't think it is worthy of all these accolades. I'm pulling for Kathryn Bigelow for Best Director and The Hurt Locker for Best Picture.

I made predictions for every category last night, even the TV ones. Here they are, pooled together mainly so I can look back and see how I did. Really, this was where I picked what I thought should win, which benefited me in the Male TV Actor category.

Best Supporting Actor TV Stuff
Prediction: John Lithgow - Dexter
Winner: John Lithgow - Dexter

Best Supporting Actress TV Stuff
Prediction: Jane Lynch - Glee
Winner: Cholë Sevigny - Big Love
Fav Moment: The escort ripped her dress. She couldn't believe it.

Best Actor Mini Series or TV Movie
Prediction: Brendan Gleeson - Into the Storm
Winner: Kevin Bacon - Taking Chances

Best Actress Mini Series or TV Movie
Prediction: Jessica Lange - Grey Gardens
Winner: Drew Barrymore - Grey Gardens
Comments: I hate Drew Barrymore, and her acceptance speech was a travesty of stupidity.

Best Mini Series or TV Movie
Prediction: Into the Storm
Winner: Grey Gardens

Best TV Actor - Comedy or Musical
Prediction: Alec Baldwin - 30 Rock
Winner: Alec Baldwin - 30 Rock

Best TV Actress - Comedy or Musical
Prediction: Lea Michele - Glee
Winner: Toni Collette - The United States of Tara

Best TV Show - Comedy or Musical
Prediction: 30 Rock
Winner: Glee
Comments: True to form, Glee wins the only thing I predicted it not to win, and failed at the other categories

Best TV Actor - Drama
Prediction: Michael C. Hall - Dexter
Winner: Michael C. Hall - Dexter
Comments: Finally, this long overdue award is given to him. This and John Lithgow's win were my favorite moments of the night.

Best TV Actress - Drama
Prediction: January Jones - Mad Men
Winner: Julianna Margulies - The Good Wife

Best TV Show - Drama
Prediction: Dexter
Winner: Mad Men

Best Original Song
Prediction: "I See You" - Avatar
Winner: "The Weary Kind" - Crazy Heart
Comments: I saw Crazy Heart the day before the Globes, and had I made my predictions then, I would have picked it. Oh, hindsight.

Best Original Score
Prediction: Karen O and Carter Burwell - Where the Wild Things Are
Winner: Michael Giacchino - Up
Comments: I forgot how good the Up score was, though I still love the Wild Things score. Tough call, but I like Giacchino, so good for him.

Best Screenplay
Prediction: Jason Reitman, Sheldon Turner - Up in the Air
Winner: Jason Reitman, Sheldon Turner - Up in the Air
Fav Moment: Jason Reitman saying, "Why isn't Quentin up here?"

Best Director
Prediction: Kathryn Bigelow - The Hurt Locker
Winner: James Cameron - Avatar
Comments: A travesty, but I guess if you work on something for 12 years and it is as successful as Avatar it's going to win. Bigelow's movie was better.

Best Foreign Language Film
Prediction: The White Ribbon
Winner: The White Ribbon
Comments: I got lucky, I just picked the Palm D'or winner, which actually worked this time.

Best Animated Film
Prediction: Up
Winner: Up
Comments: Big surprise.

Best Supporting Actor
Prediction: Christoph Waltz - Inglourious Basterds
Winner: Christoph Waltz - Inglourious Basterds

Best Supporting Actress
Prediction: Mo'nique - Precious
Winner: Mo'nique - Precious
Comments: She gave the most heartfelt speech.

Best Actor - Comedy or Musical
Prediction: Matt Damon - The Informant!
Winner: Robert Downey, Jr. - Sherlock Holmes
Comments: He gave the best speech.

Best Actress - Comedy or Musical
Prediction: Meryl Streep - Julie & Julia
Winner: Meryl Streep - Julie & Julia

Best Picture - Comedy or Musical
Prediction: (500) Days of Summer
Winner: The Hangover
Comments: Worst call in the history of the Globes.

Best Actor - Drama
Prediction: George Clooney - Up in the Air
Winner: Jeff Bridges - Crazy Heart
Fav Moment: The standing ovation they gave him.

Best Actress - Drama
Prediction: Gabourey Sidibe - Precious
Winner: Sandra Bullock - The Blind Side
Comments: So she won for helping under privileged kids? I guess I should see this movie to judge it fairly, but Sidibe and Carey Mulligan gave better performances then I've ever seen Bullock deliver.

Best Picture - Drama
Prediction: The Hurt Locker
Winner: Avatar
Comments: Hopefully the Academy will have better judgment, though something tells me not. We'll have to see how the guilds play out, but I honestly hope they go for what they think is the best, and not what is most popular. Also, I got my butt whooped in Movie Drama.

Total Score: 9.5/25 (I give myself .5 for still predicting Grey Gardens for Best Mini Series Actress) This is what happens when you predict with your heart, not your head.

Sunday, January 10, 2010

The 39 Steps (1935)

Anyone who loves cinema has, at one point or another, seen Hitchcock. It's impossible not to; his films are their own, unique special brand, and while many have tried, none have made a film that can replicate the touch Hitchcock gives his pictures. Sure there have been more suspenseful works since then, but none have imbued their films with as much dry humor as Hitch does, at least in the way Hitch does.

39 Steps is not Hitch's best film, to be sure, but it is his first really good one. It's the film that really proved Hitch had an idea of what he was doing early on, he just didn't have his sure footing yet. It has many of the recognizable Hitchcock touches: an innocent man caught in a tale of intrigue, a ruthless villain who isn't seen much, and a blonde that becomes the love interest.

It also features probably the first great example of Hitchcock's MacGuffin, which is easily defined as the thing (object, person, anything) that motivates the plot, but the audience doesn't need to know what it is, only that it is essential it is obtained/stopped/whatever. The MacGuffin here isn't necessarily what The 39 Steps is, but what secret information they are trying to obtain.

We are introduced to Richard Hannay (Robert Donat), a Candian in London who attends a show where a gun shot is fired and panic breaks out. As he leaves, a young, sexy foreign woman asks to accompany him home to keep her safe from the men hunting her (you see, it was SHE that fired the gun). Hannay complies, and this is reason number one you don't take a mysterious, young, foreign, sexy woman home with you being hunted by spies. She divulges information about The 39 Steps, and the next morning she walks into Hannay's room with a knife in her back. Naturally, Hannay goes on the run because he has been framed for the murder, and to find out who is behind the secret organization.

Hitchcock uses the murder of a person to drive the plot, rather then what that key information is. Hannay spends much of the time on the run, and has a run-in with a blonde bombshell, Pamela (Madeleine Carroll), who doesn't believe him at first and keeps trying to turn him in. Slowly, of course, she comes round and eventually begins aiding him in his quest.

Hitch was a master at causing thrills, and none is more evident then in his brilliant set-up of his villain, Professor Jordan (Godfrey Tearle); Ms. Sexy Foreign spy tells Hannay that if he should ever run into a man with the top portion of his left pinky missing he had better run. Hitch finds something unique we won't forget, and when the Professor pulls out his hand and reveals the missing limb, it immediately instills the audience with a sense of danger. These classic methods are either gone or too rare for movies to deal with.

And here's the thing about the movie: it's thrilling, but at the same time it's not a completely stupid movie either. I definitely liked a lot more when I first saw it five or six years ago, but even on a second viewing (I had forgotten most of the movie by this point) I still found it engaging and entertaining. It's not as deep as one would like, which is typical of Hitchcock, but it is still smart.

It even takes a throw-away character, Mr. Memory (Wylie Watson) and uses him as a bookend piece AND an integral part to the story. Not a moment of this movie is wasted (thank goodness, since it is only 86 minutes!), and everything builds to its conclusion. I've seen a couple of Hitchcock's movies from the 30s, and I can say firmly this is the best of the bunch (of course I'm pending my upcoming viewing of The Lady Vanishes (1938), so that may change).

This is an important film for Hitchcock, and essential for any cinephile or Hitch lover. I'll reiterate again that this is by no means his best movie, but it certainly is the one that launched his career. Hitchcock wouldn't hit his stride until the 50s, when he churned out three or four masterpieces (the pinnacle of his career), but all the films leading up to that point are worth a look, if only to see how someone defines their style. I make it no secret that Alfred Hitchcock is my favorite director, because of his off-screen personality, and because of his unique dose of thrills.

Thursday, January 7, 2010

67th Golden Globes Predictions

Ah, it's officially that time of year: Awards Season. And with the Golden Globes officially slated for the Sunday after next (the 17th), I'm just giddy with making predictions. 'Tis the season to start selecting SAG, DGA, PGA, and WGA awards, until we reach the big kahuna, the Oscars.

So why I am releasing predictions 10 days before the televised event? Well, I don't really care about the Golden Globes, and I care less about who wins. I mean, c'mon, Nine, one of the worst reviewed movies of the year, is up for multiple awards, and Sandra Bullock is up for Best Actress in a Comedy for The Proposal. I hardly take the Globes very seriously (then again, I shouldn't take the Oscars so seriously, but I do). So, why not release my predictions? Here they are, along with my rationale.

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Prediction: John Lithgow for Dexter
Why: This is honestly one of the few categories where I have a lot of interest in who wins. Anyone who saw the most recent season of Dexter will agree that Lithgow turned in one of the most chilling and deranged performances as the Trinity killer. Michael Emerson won the Emmy for Lost and is also really good, but I'm really pulling for Lithgow. Dexter has won too few awards at this point and needs some recognition.

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Prediction: Jane Lynch - Glee
Why: No idea. But Glee is a really popular show, so I'll just pick it. Other prognosticators know better, but I don't.

Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television
Prediction: Brendan Gleeson - Into the Storm
Why: Again, no reason since I haven't seen any of the nominees, but Brendan Gleeson was awesome in In Bruges, Harry Potter, and Six Shooter so he should win.

Best Performance by an Actress in a Mini-Series or Motion Picture Made for Television
Prediction: Jessica Lange - Grey Gardens
Why: Grey Gardens has two nominations in this category, and I'll be damned if Drew Barrymore is winning it. Though I haven't seen any noms, so what do I know?

Best Mini-Series or Motion Picture Made for Television
Prediction: Into the Storm
Why: Brendan Gleeson, woot!

Best Performance by an Actor in a Television Series - Comedy or Musical
Prediction: Alec Baldwin - 30 Rock
Why: HE ALWAYS WINS!

Best Performance by an Actress in a Television Series - Comedy or Musical
Prediction: Lea Michele - Glee
Why: Because Glee is popular. Plus, she has a great voice (starred in Spring Awakening) and did a really good rendition of Defying Gravity. Though Edie Falco is pretty good bet depending on how popular Nurse Jackie is.

Best Television Series - Comedy or Musical
Prediction: 30 Rock
Why: While I keep touting Glee as being popular enough to win other categories, I think 30 Rock is the safe bet since it always wins this award. My personal preference show wise is The Office, but 30 Rock had a better 3rd Season then The Office had of a 5th season. So I got to give it to them.

Best Performance by an Actor in a Television Series - Drama
Prediction: Michael C. Hall - Dexter
Why: I've predicted him EVERY time and he loses EVERY time. Theoretically he should win at some point...right?

Best Performance by an Actress in a Television Series - Drama
Prediction: January Jones - Mad Men
Why: Mad Men will actually probably win all the Drama categories, so I figure I should pencil it in for one of the three. Though watch, it will be the one category Mad Men doesn't win.

Best Television Series - Drama
Prediction: Dexter
Why: Almost as good as Season 1, and with an ending that made my Dad vow not to watch the show again, Season 4 of Dexter is truly a great run for the show, especially those last four episodes. Probably Mad Men, otherwise.

Best Original Song - Motion Picture
Prediction: "I See You" - Avatar
Why: Far less annoying and memorable then Celine Dion's tune from Titanic, I honestly don't know any of the songs and could care less which one of them wins.

Best Original Score - Motion Picture
Prediction: Karen O and Carter Burwell - Where the Wild Things Are
Why: This score has already been disqualified from the Original Score run at the Oscars, and really is the best of the nominated bunch. James Horner's score is just a retread of everything he's done in the past, though I wouldn't mind Michael Giacchino winning for Up; he is a fantastic and underrated composer. But this should go to Wild Things.

Best Screenplay - Motion Picture
Prediction: Jason Reitman, Sheldon Turner - Up in the Air
Why: As far as screenplays go, this one is pretty solid. I'll be damned if Nancy Meyers or Neill Blomkamp is going to win this award, though Tarantino is overdue for his unique style. The Hurt Locker is certainly the best movie of the 5, but Up in the Air looks better on page then The Hurt Locker; that's a movie you need to see, you simply can't read it.

Best Director - Motion Picture
Prediction: Kathryn Bigelow - The Hurt Locker
Why: Well, A, this was the best movie of the bunch, but also B, its time a woman won the award, and Bigelow is certainly deserving of it. This wouldn't be a pity prize, and I am fully behind The Hurt Locker going all the way this year in Awards Season. But after over 100 years of movies and 82 years of Academy Awards, its finally time a woman was honored...and it can all start here.

Best Foreign Language Film
Prediction: The White Ribbon
Why: I haven't seen any of the nominees due to their lack of release currently, but The White Ribbon won the Palme D'or (certainly no indicator of awards potential) and automatically becomes my number one choice until I start seeing some of these movies. FYI, Broken Embraces and The Maid have already been released, I just haven't seen them yet.

Best Animated Feature Film
Prediction: Up
Why: I'm shocked Ponyo, easily the best animated film of the year, is missing from this bunch, and I'm going with Pixar because they are the safe bet. But I smell a Fantastic Mr. Fox upset, which I would be fine with. Pixar has won their fair share, though I still favor Up over Wes Anderson's whimsical tale. Special note should to the fact this is the first time five animated films have been nominated, due to an abundance of the style this year.

Best Performance by an Actor in a Supporting Role in a Motion Picture
Prediction: Christoph Waltz - Inglourious Basterds
Why: Similar to Heath Ledger last year, Waltz picked up Oscar buzz during the film's summer release and has held on strong into awards season. Of course another of the nominees could win due the sheer boredom of handing out Supporting Actor to a villain every time, but Waltz's performance is so chilling that you have to surrender to its sheer awesomeness.

Best Performance by an Actress in a Supporting Role in a Motion Picture
Prediction: Mo'nique - Precious
Why: The performance is great, though it is award-bait as well. But she is going to be the powerhouse to be reckoned with this season, unless one of the Up in the Air ladies pulls through.

Best Performance by an Actor in a Motion Picture - Comedy or Musical
Prediction: Matt Damon - The Informant!
Why: I missed this movie while it was in theaters, but none of the nominees particularly stand out as strong candidates for this award. Daniel Day-Lewis could win simply because he's Daniel Day-Lewis, and Michael Stuhlbarg of A Serious Man could pull through as well. But honestly I'm flummoxed here and will go with what looked like a strong performance.

Best Performance by an Actress in a Motion Picture - Comedy or Musical
Prediction: Meryl Streep - Julie & Julia
Why: She's nominated twice (also for It's Complicated) so she should win either for either performance, though I think her show as Julia Child will be most popular. The other three or just so unlikely (Julia Roberts, Marion Cotillard, and Sandra Bullock) that this is probably one of the only categories I'm certain of.

Best Motion Picture - Comedy or Musical
Prediction: (500) Days of Summer
Why: It won't win, this I am really sure of, but I have no idea which of the nominees could win, and so I am left with my favorite movie of the two I saw in this category. The Hangover would be a shocker, so I highly doubt that, and can only really see Julie & Julia being a strong contender, along with Nine. I'd be fine if Summer or J/J won, but if the other three win (It's Complicated is the last nomination) the eck.

Best Performance by an Actor in a Motion Picture - Drama
Prediction: George Clooney - Up in the Air
Why: Jeremy Renner was shockingly not nominated here, and would be my first choice otherwise. Clooney has been gathering a small storm of praise and seems like a safe and likely choice, though Colin Firth and Jeff Bridges for A Single Man and Crazy Heart (both currently unseen by me), respectively seem to be power house performances ready to erupt into awards frenzy. Tobey Maguire is the real wtf here, and I'll just pretend that Jeremy Renner's version of military machismo is nominated.

Best Performance by an Actress in a Motion Picture - Drama
Prediction: Gabourey Sidibe - Precious
Why: This category is going to be a massive battle between Carey Mulligan and Gabourey "Gabby" Sidibe. I'm not sure where the Hollywood Foreign Press' tastes lie, but Sidibe gives the more obvious "courageous" performance, though Mulligan is required to build a character more. I'm torn between the two and would be happy if either won, but I think this is going to be Gabby's year, and then we'll never hear from her again (Jennifer Hudson anyone?), whereas Mulligan will probably continue to build her charm and roles.

Best Motion Picture - Drama
Prediction: The Hurt Locker
Why: Having seen all the nominees and liking or loving all of them, I can rightly say this is the strongest category in the entire show. I could see any of these movies winning, honestly, for various reasons. When it comes to Oscar I pick what I think will win, but since this is the Globes and I don't care, I'll pick what I think should win. Up in the Air seems like a very good second place or alternate winner, though if Avatar is going to start rearing its head this is where it will happen. But I hope Bigelow's war epic sweeps the season, and this is the place to start.

If you live in ET/CT then tune in for a live broadcast of the Globes! Otherwise us West Coasters will just get the winners as they are posted online and then watch the Awards show ignorant of what is going to happen.

The Bad Lieutenant: Port of Call - New Orleans (2009)

Movies have a way of sneaking up and surprising you from time to time, you just never know when they are going to do it or when. Werner Herzog, the helmer of this remake of the 1992 film Martin Scorsese named as one of the ten best of the that decade, is definitely a reputable source for something unexpected.

Bad Lieutenant takes the bad cop formula and then ramps it up to the extreme. Nicolas Cage, who delivers my favorite leading actor performance this year, plays Terence McDonaugh, a good cop who suffers a back injury and is promoted to lieutenant (though based on the opening I wouldn't say he is all good). The movie chronicles his slow descent into madness, as he picks up a coke addiction, gambles endlessly, and cuts off one of his girlfriend's (Eva Mendes) most powerful clients (she is a prostitute, and he is ok with that).

There is also a plot tying everything together about the murder of a whole family, and McDonaugh's search for the killer. But this movie isn't about plot as it is about McDonaugh and his depravity. Near the opening, he lurks outside a club and pulls over an unsuspecting couple; he frisks them for drugs, then takes what he finds and rapes the guy's girlfriend right in front of him (though she goes willingly).

Such a character sounds unlikable and he really is an unlikeable person. But Cage is so electrifying in his performance of this corrupted man that you actually root for him as the bad shit piles on higher and higher. Herzog is known for his character studies (most notably the middling Strozek), and this definitely fits the bill. This performance could have easily been a caricature, but Cage instead fully embodies and believes in this role, and so do we.

The supporting actors are also really good, most notably Eva Mendes as the prostitute girlfriend. She is equal parts sexy and broken on the inside, and never once seems to be overselling her character. The same goes for rapper and Pimp My Ride host Xzibit as a drug kingpin, who has one of the most crazed car rides in recent memory.

The film will be noted for other unique elements that come into play; Herzog holds the camera on the gaze of reptiles, a crocodile and some infamous iguanas. Both shots inspire laughs, for different reasons, but both keep you magnetized to this lizards. And the iguanas will become a part of the film snob vernacular, as I fear far to few people will get to see this movie due to its limited release. But those iguanas, and a dancing soul, add to McDonaugh's crazed reality and hallucinations, whether that is due the medication, cocaine, or the mixture is irrelevant.

If you have the opportunity to see this movie, do it. I command you. It reaches a level of depravity I hadn't thought possible in a film portraying a "bad" cop; Dirty Harry would blush in this guy's presence. Let it be known to the world that Nicolas Cage's performance in this film is going to be the single unsung masterstroke of the year.

Friday, January 1, 2010

#1: Sen to Chihiro no kamikakushi (2001)

When I am older, I will look back on this decade as the time when I truly fell in love with the movies; when I started taking an active interest in all the films out there around me, seeking out classic black-&-white films and foreign films, and starting my path down the career of a filmmaker. No other decade can possibly hold as much significance to me as this one, because this was the decade of my youth.

So then why do I pick Hayao Miyazaki’s incredible Spirited Away as my number one movie of the decade? Personally, I can’t think of anything better. Miyazaki is one of the best filmmakers living today, and his body of work boasts some of the finest pieces of storytelling I can think of. Just this decade he has turned out three sublime movies, the other two being Howl’s Moving Castle (2004) and Ponyo (2008). He creates entire worlds that are wholly original, and his animations boast some of the most creative inspirations I have ever seen.

Spirited Away concerns the young girl Chihiro, who is moving with her parents to a new town. They take a detour and end up at what they assume is an abandoned theme park. The parents eat forbidden food and are turned into pigs, and Chihiro discovers the “theme park” is actually a bathhouse for spirits. She seeks employment from the witch who runs the place, Yubaba, and with the help of her new friends, Haku and Lin, she seeks a way to escape and get her parents back.

That summary comprises maybe the first forty minutes of the movie, and the rest is a spectacular delight, as Chihiro encounters river spirits, toads, a monster named No-Face, and an eight-armed man who operates the boiler room. Miyazaki has a deft touch that creates these characters and this world so firmly that you believe in them completely and are spirited away, so to speak, into this world.

This may not by Miyazaki’s best work in his filmography, and some may contend not his best film of the decade. But this film was my induction into the Miyazaki film world, and I cannot begin to describe the excitement I felt as I watched the movie for the first time; it is one of the few times I checked my brain at the door, not because it was juvenile, but because everything about it ensnared me and I just wanted to stay in this world forever. People often describe Star Wars (the original) as making them feel like a kid again, and I can say that is definitely true about this film. I would wager it is probably the film this decade I have seen the most times, because whenever I find out someone hasn’t seen it, I eagerly force them to watch it. Indeed, I watched this movie twice in one week the first time I saw it.

I think the reason I connect with the film so much is because it reminds me that in the world there are still people brimming with ideas and imagination, who are not afraid to express themselves fully, and in a wholly original way. It also proves that animation is not for children, a stigma that has been perpetuated by Disney films. Pixar films have tried to break that mold, but the general population still regards them as children’s fare. It is a sad reality, but hopefully animation can move away from this stigma and will be taken seriously as a real art form, worthy of comparison to the great movies of yore and present.

And so to this decade, I bid thee adieu. There are several thousand films I did not get a chance to see in time for this list, and I made this list without completely seeing some definite must sees. I was going to do this midway through next year, but by then who would really give a shit? Undoubtedly movies and rankings would be different if I did this list in six months, but I feel it is an accurate representation of my feelings now. I said I would modify it if I ended up seeing something genius, but that seems unnecessary now. This decade is over, and it is time to welcome in the new decade with open arms. 2010, here we come.